Rachael A. Vaters-Carr, professor of art, and Jeremy Chandler, associate professor of art, are participating in Further On, an art exhibition at the Hans Weiss Newspace Gallery on the campus of Manchester Community College (MCC). The gallery’s curator, Susan Classen-Sullivan, professor of visual fine art at MCC, invited Vaters-Carr and Chandler to take part in the exhibition of works by nine artists who are professors at institutional neighbors to MCC. The institutions being represented are: ECSU, CCSU, SCSU, UConn, and Hartford School of Art, all popular transfer destinations for MCC students. The exhibit, intended as an opportunity for MCC students to connect with faculty from those programs, runs through December 6.
Classen-Sullivan explains, “We have a vibration Fine Art Program at MCC, with over 100 fine art majors. Though many go on to specifically fine art institutions, some transfer to Connecticut four-year schools. The exhibition, along with bringing strong relevant contemporary art to the college and community, serves to acquaint MCC fine art students with the work of professors they may have as instructors in the future. Additionally the exhibition verifies that fine arts professors also have rigorous art making practices.”
Chandler, who teaches photography, says of his work, “My art practice continues to grow out of a desire to express my personal history, experiences and relationships, through a prolonged engagement with place and a process that emphasizes structured improvisation with those I photograph. I primarily engage with my audience through rich, open-ended narrative imagery, which subverts ritualized expressions of masculinity, while creating altered perceptions of space and place.”
Vaters-Carr says that her work “is intimately connected to survivorship. Themes of healing, destruction, protection and defense have consistently resonated throughout my work and have always served as the primary catalyst for my art practice. The forms and shapes found in this body of work are inspired by objects that have been altered to include reference points that hint at medical intervention, altercation, and trespass. Over the past few years, I have been obsessively reworking these forms into drawings, paintings, and sculptures that explore personal narrative with more universal implications.”