Photographer Ebony McKelvey, '10 (photo by Kathy Leonard Czepiel)
Alumna Ebony McKelvey, ’10, was featured recently on the Daily Nutmeg website for her photography business, Ebony B. Photography. The article, “Big Pictures” (by Kathy Leonard Czepiel, July 8, 2020), introduces McKelvey as “a portrait and art photographer whose mission is ‘capturing the beauty of the African American woman.’ That mission comes from the message she heard repeatedly from other children when she was growing up in New Haven, first in Rock View off Wilmot Road and later at Farnam Courts in Fair Haven,” according to the article.
Image provided courtesy of Ebony B. Photography.
McKelvey graduated from Southern in 2010 with a B.S. in liberal studies, with concentrations in psychology, sociology, and studio art.
A past exhibition of McKelvey’s, The Beautiful Ghetto, highlighted photographs of real people in the Newhallville, Fair Haven, and Hill neighborhoods in New Haven. She is now working on a project about people who were molested.
As one of only four students in Connecticut to receive the Bob Eddy Scholarship, Jason Edwards is being recognized for talent and promise.
Spring 2020 will be one to remember for Southern rising senior Jason Edwards — and he has the photos to prove it.
In addition to completing online courses, working as a student photographer for Southern’s communications and marketing department, and serving as photo editor of the student-run Crescent magazine, the talented journalism major is turning his camera lens on his neighbors to visually capture the impact of the COVID-19 pandemic in the Connecticut Naugatuck Valley.
Edwards is one of only four recipients of the Connecticut Society of Professional Journalists Foundation’s Bob Eddy Scholarship, which recognizes excellence and promise in the field. The award is open to rising college juniors and seniors attending Connecticut universities as well as state residents who are studying elsewhere.
In related news, numerous Southern student journalists were recognized for their work in Crescent magazine and the Southern News from the Society of Professional Journalists in its Mark of Excellence competition.
Jefferine Jean-Jacques, ’18, has a way with a viewfinder — a gift that’s led the Society of Professional Journalists (SPJ) to recognize her photographs among the best student work in the nation. In spring 2019, she was named one of only two finalists in the “feature photography” category of the SPJ’s national Mark of Excellence Awards, which honor the best of student journalism.
Jean-Jacques’ award-winning photos — taken during trips to Haiti, India, Ghana, Ethiopia, and more — were included in the inaugural issue of Crescent Magazine, a lifestyle publication produced by Southern students. Jean-Jacques advanced to the national competition after winning first place at the SPJ, Region 1 conference, which represents universities throughout New England, New Jersey, New York, and Pennsylvania. (It was a great day for Southern students, who won five additional regional awards for their work on the Southern News student newspaper and Crescent Magazine.)
For Jean-Jacques, the national recognition came at an opportune time, validating her dream of becoming a photojournalist. She came to Southern after earning an associate degree at Housatonic Community College. At Southern, she majored in interdisciplinary studies, with concentrations in studio art and journalism. In addition to working as a photographer, she’s currently a finance billing specialist with a company in West Palm Beach, Fl.
Following, she talks about her approach to photography — and the unique challenges and rewards of earning a degree while raising three boys.
What was it like to be one of only two finalist in the national SPJ competition?
I was overjoyed and in total disbelief, especially since I was unaware I had been entered in the SPJ competition. [Jean-Jacques graduated in May 2018, before the national competition took place. But as a regional winner, she automatically moved on to the national competition.] A portrait of several generations photographed by Jefferine Jean-Jacques, ’18, in Ghana.
This recognition has come at quite a pivotal point in my journey. I have been seriously contemplating leaving the field of photography and focusing my energy toward philanthropy. I have wrestled fretfully — doubting my skills, talents, and abilities. When Dr. [Cindy] Simoneau, [department chair and professor of journalism,] shared this most unexpected and welcomed news, I received concrete affirmation of my aspirations. Dr. Simoneau and Southern believed in me from the start, and I am truly thankful for their continuous and unwavering support.
How did you first become interested in photography?
I was always one of those kids who watched television incessantly. I loved how cinematography made me feel. Often times, I would think a particular scene would make a great photograph. I also loved flipping through magazines and being pulled into that moment in time. I think, ultimately, I loved photography because it made me feel like I was momentarily transported to a different place. I always had a desire to leave my Brooklyn home and see the world beyond. Women photographed in Varanasi, India. Do you remember the first photograph you approached artistically?
The first photograph I remember taking was in my first year of college for a black and white photography class. I went to the train tracks and took pictures of old buildings and alleyways — and wondered what kind of things took place in these spaces. I was responsible for developing the film, and found the entire process creative and rewarding.
What’s your favorite image among the photos you’ve taken?
My absolute favorite photograph is one I took in Ethiopian of a woman making coffee with her son wrapped in beautiful garb on her back. . . . This humble and proud woman welcomed me — a foreigner — into her home, and allowed me to document her daily routines and activities with her child. I felt blessed and grateful. Visually, her life appeared so different from mine. I was ecstatic to have captured this wonderfully beautiful difference. But I realized at that [same] moment that we were much more similar than different. Asked to select a favorite among the photographs she’s taken, Jefferine Jean-Jacques, ’18, selected this image of a mother and child in Lalebela, Ethiopia.
The Crescent Magazine article explained that you were raising your children while attending Southern. What was most challenging about that time and were there advantages to attending college as an adult?
The two most challenging aspects of attending college as a seasoned adult were arriving home late — and having minimum energy upon that arrival. It was difficult carving out time to assist with my three sons’ homework assignments. I had my own homework to do.
In essence, I worked full time, attended school full time, and managed a family of three young boys, all as a single mother. Yes, challenging, to say the least! There were certainly not enough hours in the day to get it all done. However, with a great deal of planning and a tremendous amount of support from my sons, everything worked out. My sons were true troopers through it all!
Attending college as an adult was much more fulfilling than my earlier collegiate career. Real-life experiences were of great value when interacting with fellow students and professors. I was able to process a great deal of information quickly and make connections to the material being covered. Siem Reap, Cambodia, is among the 30 some countries Jean-Jacques has traveled to in recent years, often bringing along her children.
Share five things that inspire your work.
Culture and tradition greatly influence my work. I am enthralled by the different cultures of our world — and by the traditions embedded in those cultures. I also am empowered by photographing people in their element. That being said, it stands to reason, my work is inspired by their personal and unique experiences. It is my passion to tell the intimate details of their lives through the lens of my camera.
Lighting is a motivating factor, as well. It’s critical and crucial to any composition. How lighting is used. How it hits the subject. How it ‘playfully plays’ and changes the mood. The affects are infinite.
Lastly, my work is inspired by authenticity. I strive to capture the true nature of a subject while bringing different life experiences to the forefront for all of us to see. A playful moment in Ghana, captured by Jefferine Jean-Jacques, ’18. What role does travel play in your work?
I traveled to approximately 30 countries in the past six years — and yet, that number is far, far below my wishes and aspirations. The cultures, the people, the smells, the colors, the mystique — all of it drives my work. I possess a strong desire to see more of the world and capture the interesting, the beautiful, the ugly, the unique. In the meantime, I will continue to try to see my surroundings with a new set of eyes so I can recognize the interesting, the beautiful, the ugly and the unique right where I am.
Associate Professor of Photography Jeremy Chandler’s work is part of a group exhibition titled “Subversive Suburbia” at Mindy Solomon Gallery in Miami, Fla. The exhibition runs from from June 7 – July 27. Chandler’s documentary film collaboration, Invasive Species, will be included in the exhibition, and he will be present at the gallery for a public screening and artist talk during the opening reception on June 7.
More about Chandler’s work and the exhibition:
Invasive Species Synopsis (40 min 2 sec):
The Florida landscape comes alive in this experimental documentary film created by Shawn Cheatham and Jeremy Chandler. Striking cinematography and a haunting original score guide the viewer through a contemplative glimpse into the state’s ongoing struggle with the Burmese Python. Told from the perspective of “the local”, Invasive Species explores how pythons were artificially thrust onto this fragile ecosystem and continue to challenge the ethical, social, and psychological paradigms of a people learning to live side-by-side with a new predator. The landscape is presented as a dangerous, wild space that can harbor and effectively conceal an entire breeding population of apex predators, as the python invasion becomes a vehicle to poetically meditate on metaphysical concepts of place, masculinity, and the indigenous.
Chandler is a photographic artist who creates through a variety of conceptual and formal approaches, such as straight photography, tableaus, and documentary and narrative film projects. His work subverts ritualized expressions of masculinity to reveal a more nuanced idea of maleness while questioning how culture and myth can often intertwine to create altered perceptions of space and place.
In addition to being the 2008 Photographer Laureate for the city of Tampa, Florida, he has exhibited at notable venues, including: Hagedorn Foundation Gallery in Atlanta, GA; Balzer Art Projects in Basel, Switzerland; and Giampietro Gallery in New Haven, CT. He received his BFA from the University of Florida in Creative Photography and MFA from the University of South Florida. He is currently an Assistant Professor teaching photography at Southern Connecticut State University.
Since 2007, university photographer Isabel Chenoweth has told Southern’s story through photographs. Here are a few of her favorites.
University photographer Isabel Chenoweth has photographed campus for a decade.
Isabel Chenoweth has searched for light in the darkest places — including the basement of James Moore Field House. In Hutchinson Natatorium. Under the water.
On that particular day — April 8, 2013 — Chenoweth stood in the humid-thick air, her mind set on finding a new way to photograph Southern swimming sensation Amanda Thomas. Thomas, among the most celebrated student-athletes in Owl history, would go on to graduate with two degrees in exercise science (a bachelor’s in 2013 and a master’s in 2015) and four first-place finishes at the NCAA Div. II national championships. But at that moment some four and one-half years ago, victory would be a simpler thing for the 18-time All American — look serene while swimming horizontally across the pool, face aimed directly at a viewing window where Chenoweth stood camera-in-hand.
“We focused the lights into the water and then triggered them with radio transmitters,” says Chenoweth. “It took several takes to get her hands perfectly placed, with her legs right behind her. You can see where the light falls off. It wasn’t an instant portrait. It was trial and error.”
The resulting shot is one of Chenoweth’s favorites — and that is saying something. As of July 2017, she has chronicled campus life for more than a decade, taking close to 50,000 Southern-related photographs every year. The subjects and assignments are decidedly varied. They include portraiture, event coverage, and photo journalism as well as editorial and marketing shoots.
On a “typical day,” Chenoweth has captured megastar John Legend on stage at the Lyman Center, singing with such strength the microphone had to be turned down. She’s also traveled to Europe to photograph Southern’s choir performing to sold-out audiences — and made countless trips throughout New Haven neighborhoods to get shots of students volunteering, interning, and conducting research. And she’s spent hours taking portraits of faculty members, often learning about their fields of scholarship.
She says these and all other assignments share a common denominator: “Photography is storytelling with light and a moment in time. Light is key. You have to always be conscious of where your light’s coming from — its source and direction, the quality and quantity of light, and the patterns being created.”
The attached gallery showcases more of Chenoweth’s favorite photographs — images captured when the light was perfect and all was right with her world.
