From a unique outdoor classroom to one-of-a-kind works of art, here’s a look at a few quintessentially Southern locations. When you spy these views, you know you’re in Owl territory.

A tie to Southern’s past, Founders Gate is part of a newly instituted tradition: each fall, the incoming class enters campus through the gate following new student convocation. In the spring, graduating seniors will cross it again to mark the culmination of their undergraduate experience. The gate spans the area between Lyman Center and Engleman Hall, but originally stood on the school’s first campus on New Haven’s Howe Street. After being restored and moved to its current location, it was dedicated during Homecoming in 1987.

A unique outdoor classroom, the Geological Rock Garden includes 52 rocks that are indigenous to Connecticut. Numerous quarry operators in the area donated boulders for the display, which was created with the aid of Thomas Fleming, chairman of the Department of Earth Science. Some of the boulders are from Stony Creek Quarry, which provided stone for many iconic buildings and monuments, including the base of the Statue of Liberty, Grand Central Station, and the Smithsonian Institution.

Set along a well-traveled path on the Fitch Street side of Engleman Hall, the stainless-steel sculpture, “H20: Liquid Zone,” was designed by award-winning international landscape architect Mikyoung Kim. Rain, snow, and ice collect on the sculpture, changing the view on an ongoing basis. The artist’s stunning portfolio includes the Crown Sky Garden in Chicago, the roof garden of the John Hancock Tower in Boston, and the ChonGae Canal Restoration Project — Source Point Park in Seoul, Korea.

Commissioned through Connecticut’s Art in Public Spaces Program

Nature lovers are invited to view West Rock in a whole new light, courtesy of the environmental sculpture, “End of the Line/West Rock,” which was installed in 1985 on the Farnham Avenue side of Brownell Hall residence hall. The sculpture was designed by Nancy Holt, a pioneer of the land-art movement, which began in the late 1960s in response to growing awareness of environmental issues and debates about what constituted “real” art. In this work, two rings frame views of West Rock, showcasing the geological formation as an art object. Holt, who died in 2014, said of her designs, “I am giving back to people through art what they already have in them.”

Commissioned through Connecticut’s Art in Public Spaces Program

Is it an Owl’s outstretched wings, an open book evoking the quest for knowledge, or perhaps both? Perched on top of Engleman Hall, this sculpture can be seen from much of Southern’s campus.

Every cloud has a silver lining, and, on campus, it’s the rain harvester located outside of the Academic Science and Laboratory Building. Named in recognition of the South Central Connecticut Regional Water Authority for its leadership-level support, the rain harvester is ecologically sound as well as beautiful. Water drains into a 40,000-gallon underground collection system that is used to water surrounding greenery — reducing the need for irrigation of the area by 50 percent. An ultraviolet-purification system eliminates bacteria.

Incoming students are invited to learn many things during orientation, including how to tell time using the nearly 50-foot-tower sundial found on Engleman Hall. Built in 2005 of precast concrete and aluminum, the sundial is an award winner. The American Institute of Architects’ Connecticut chapter recognized it as the top design in the art/architecture category in 2006. The project’s architects are Howard Hebel (Herbert Newman & Partners) and Frederick Sawyer, who is a co-founder of the North American Sundial Society.

Those who haven’t mastered Southern’s sundial turn to the Hilton C. Buley Library clock. The bars light up in blue to show the hour, while the dots glow a golden hue for minutes. The clock was installed in 2015 as part of the renovation of the original section of the library. For a picturesque view of campus, go to the fourth floor of the library and look out of the clock’s transparent face.

Set on a hill overlooking the campus pond, the bronze sculpture, “Serie Metafisica XVIII,” was created by Herk Van Tongeren and installed on campus in 1983. In 1987 the New York Times fittingly described the late sculptor’s work: “The walls, columns, and steps of the theaters were mysterious and incomplete. They suggested Greek and Roman theaters, but it was unclear who would take their place on stage and what roles they would assume.” On sunny days, students are often found sitting on the sculpture, bringing Tongeren’s vision to life.

Commissioned through Connecticut’s Art in Public Spaces Program