School of Arts and Sciences

interview with SCSU Professor David Pettigrew with the the Federal News Agency (FENA) regarding the then-impending verdict in the Ratko Mladić case in Bosnia

For more than a decade, Philosophy Professor David Pettigrew has been traveling to Bosnia to perform research, give lectures and interviews, and advocate for the victims of atrocities in Bosnia and Herzegovina. Bosnia and Herzegovina declared independence from Yugoslavia on March 1, 1992, triggering a secessionist bid by the country’s Serbs backed by the Yugoslavian capital, Belgrade, and a war that left about 100,000 dead, including the mass slaughter of many Bosnian Muslims by Serb forces. In addition, the crimes committed at the town of Srebrenica have been ruled to be genocide.

While all his efforts are part of a personal commitment to human rights and social justice, Pettigrew’s work on Bosnia also has an academic dimension, expressed through his lectures, publications, film screenings, and other work. He also teaches a holocaust and genocide studies course at Southern.

In late November, Pettigrew traveled to Bosnia to give two lectures in Sarajevo and an interview with the Federal News Agency (FENA) regarding the then-impending verdict in the Ratko Mladić case. The case concerned crimes Mladić committed during the Bosnian War in his role as a general in the Yugoslav People’s Army and the chief of staff of the Army of Republika Srpska. The verdict was delivered on November 22: Mladić was convicted of 10 of the 11 charges against him, including genocide, and sentenced to life imprisonment.

Following the verdict, Pettigrew was called upon for expert analysis, appearing on one of the most popular talk shows in the Balkans, seen by Bosnians around the world, and now with over 20,000 views on YouTube.

Lecture poster, Professor David Pettigrew in Bosnia

Earlier this year, in July, Pettigrew was in Bosnia for about three weeks, during which time he gave lectures and interviews and engaged in activities around genocide recognition. He gave three lectures: one for KRUG 99, an association of independent intellectuals in Sarajevo; one for the International University of Sarajevo Summer Program; and one for the American University in Bosnia Summer Program. His lectures largely addressed obstacles to justice and reconciliation in Bosnia and Herzegovina. He also gave three interviews, two for television and one for an academic journal, Novi Muallim.

During the July trip, Pettigrew also met with representatives from the International Commission on Missing Persons, the United Nations Development Program, and the European Delegation in Sarajevo. He attended a book launch by a genocide survivor and met with a foreign affairs adviser to the Bosnian president. In Višegrad, he went to see the new 15-foot-tall Russian cross that had been erected in honor of the Russian volunteers who served (that is, “committed atrocities,” says Pettigrew) with the Bosnian Serbs. Pettigrew calls the cross “another example of the glorification of the perpetrators.” He traveled to Srebrenica in order to help receive 71 coffins of genocide victims who had been identified for burial this year. He was an invited guest at a commemoration ceremony on July 11 with genocide survivors and dignitaries from around the world.

Pettigrew was also able to visit a new museum, a permanent exhibition installed in February 2017 in the Potočari Memorial Center in Srebrenica. He was seeing the museum for the first time, after having edited all the texts in the exhibition, the first permanent comprehensive educational exhibition of the Srebrenica genocide. He also proposed the title for the exhibition: “Srebrenica Genocide: The Failure of the International Community.” Instead of the word “war,” he proposed “Serb aggression,” or “genocide.” Instead of “fighters,” he referred to the armed militias that defended the civilians of Srebrenica as “defenders.”

The language used to describe what happened in Srebrenica matters, Pettigrew says. Different groups use the words “war” and “genocide” to describe the same events. “My research has addressed the extent to which the rhetoric of the ‘90s has been in full operation since 2007,” he says, “with the glorification of war criminals, genocide denial, threats of secession, a referendum challenging the authority of the national court, and many other provocations attempting to prevent refugee return.”

Professor David Pettigrew laying flowers in Bosnia

At the memorial service Pettigrew attended in the Srebrenica-Potočari Memorial Cemetery in July, people were burying their loved ones whose remains had been exhumed from mass graves and identified for burial. At one point, after Pettigrew had helped one family bury a loved one’s remains, a man stopped him and said “I know who you are and what you are doing, and I want to thank you for everything you are doing for my country [Bosnia]. I only ask that you promise that you will never give up.” Pettigrew promised the man he would not.

“Sometimes,” he says, “people ask me how I keep going in the face of the cruelty of genocide denial, the glorification of war criminals, and other human rights violations in Republika Srpska, along with the numerous tactics designed to intimidate Bosnian Muslims from returning to their former homes. Given the circumstances, giving up is not an option. Elie Wiesel wrote in his Nobel lecture that ‘There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest.’ And I am always inspired by young people in Bosnia who lived through the genocide and through exile as refugees and who have kept their hearts open to the hope that telling the truth about the genocide will lead to justice.”

 

Media links:

November 24, interview on popular FACE TV (international program) by host Senad Hadžifejzović, perhaps the most famous journalist in Bosnia. The program, FACE TO FACE, is watched all over the world by Bosnians. It had over 19,700 views on YouTube as of December 1:
https://www.youtube.com/watch?v=kO0uTK7ZYKs&feature=youtu.be

November 22, after the verdict, interview with TV1:
http://tv1.ba/video/gost-dnenvika-david-pettigrew-profesor-filozofije-holokausta-i-genocida/

November 21, interview with Mark Gollum of Canadian Broadcasting Company:
http://www.cbc.ca/news/world/ratko-mladic-tribunal-verdict-bosnia-1.4410805

November 18, interview with FENA (federal news agency), published in Bosnia press:
http://bnn.ba/vijesti/pettigrew-osudujuca-presuda-mladicu-moze-biti-prekretnica-0

July 10 and July 11, 2017, interview on N1, a CNN affiliate:
http://ba.n1info.com/a173899/Vijesti/Vijesti/N1-na-1-sa-Davidom-Pettigrewom.html

July 2, interview on national TV (TV1) in Sarajevo:
https://www.youtube.com/watch?v=tDZw0jznUVQ

Press coverage for the KRUG99 lecture:

https://www.klix.ba/vijesti/bih/americki-profesor-pettigrew-ne-smijemo-zaboraviti-srebrenicu-jer-je-konstantno-negiraju/170702035

http://ba.n1info.com/a172290/Vijesti/Vijesti/Ne-smijemo-zaboraviti-Srebrenicu-zbog-istine-i-prezivjelih.html

http://www.avaz.ba/clanak/301159/david-pettigrew-ne-mozemo-i-ne-smijemo-zaboraviti-srebrenicu

http://www.bhrt.ba/vijesti/bih/david-pettigrew-ne-mozemo-ne-smijemo-zaboraviti-srebrenicu/ 
(includes a video link)

 

 

 

 

 

 

 

 

 

 

Rachael A. Vaters-Carr, professor of art, and Jeremy Chandler, associate professor of art, are participating in Further On, an art exhibition at the Hans Weiss Newspace Gallery on the campus of Manchester Community College (MCC). The gallery’s curator, Susan Classen-Sullivan, professor of visual fine art at MCC, invited Vaters-Carr and Chandler to take part in the exhibition of works by nine artists who are professors at institutional neighbors to MCC. The institutions being represented are: ECSU, CCSU, SCSU, UConn, and Hartford School of Art, all popular transfer destinations for MCC students. The exhibit, intended as an opportunity for MCC students to connect with faculty from those programs, runs through December 6.

Classen-Sullivan explains, “We have a vibration Fine Art Program at MCC, with over 100 fine art majors. Though many go on to specifically fine art institutions, some transfer to Connecticut four-year schools. The exhibition, along with bringing strong relevant contemporary art to the college and community, serves to acquaint MCC fine art students with the work of professors they may have as instructors in the future. Additionally the exhibition verifies that fine arts professors also have rigorous art making practices.”

snow-cave-mergedJeremy Chandler – “Snow Cave Merged”

Chandler, who teaches photography, says of his work, “My art practice continues to grow out of a desire to express my personal history, experiences and relationships, through a prolonged engagement with place and a process that emphasizes structured improvisation with those I photograph. I primarily engage with my audience through rich, open-ended narrative imagery, which subverts ritualized expressions of masculinity, while creating altered perceptions of space and place.”

vaters-carr_18_document_2017Rachael Vaters-Carr

Vaters-Carr says that her work “is intimately connected to survivorship. Themes of healing, destruction, protection and defense have consistently resonated throughout my work and have always served as the primary catalyst for my art practice. The forms and shapes found in this body of work are inspired by objects that have been altered to include reference points that hint at medical intervention, altercation, and trespass. Over the past few years, I have been obsessively reworking these forms into drawings, paintings, and sculptures that explore personal narrative with more universal implications.”

Learn more about the gallery and the exhibition.

 

Facey: (adjective) When someone’s face can be seen everywhere. — Urban Dictionary, top definition Jason Facey, ’14: choreographer, actor, motivational speaker, and dancer who toured nationally with Gwen Stefani. (See above.)

Photo by Anya Chibis

It’s the last Wednesday in May, and Jason Facey, ’14, is flying out of Los Angeles to dance with Gwen Stefani — one of several pop star royalty headlining at Wal-Mart Stores’ infamous annual shareholder meeting. As far as hump days go, Facey is having a good one, and his week will only get better. On June 2, more than 14,000 shareholders and guests will pack the Bud Walton Arena to cheer on Blake Shelton, Mary J. Blige, Ne-Yo, The Band Perry, and Stefani — the latter joined on stage by Facey, a lead dancer on her 2016 North American tour. “What kind of life is this! Performing for thousands,” says Facey, a quick laugh punctuating his Jamaican accent.

His star is clearly on the rise. Soon after graduating from Southern with a degree in communication and a minor in theatre, Facey came to LA for an internship with the Hallmark Channel arranged by the university’s Department of Communication. Since then his career has unfolded like the plot of a feel-good movie. It’s a musical, one that begins in a small home in Saint Mary, Jamaica, where Facey was born in 1989. He elaborates: “I was born inside of that house not in a hospital. The entire house is about the same size as two dorm rooms put together. My whole family lived there.”

Facey found his passion for performing at an early age. A DJ was playing at a community gathering, and the then 4-year-old talent was dancing his heart out. Gradually everyone stopped to watch. “I remember thinking, ‘This is all right!’” he says, before turning serious. “Music and dance were our escape in Jamaica. It took us away from the poverty we were facing.”

Facey came to the U.S. at the age of 11 with his older brother, joining family in Hartford.  “It wasn’t difficult, but then again it was,” he says, recalling efforts to downplay his Jamaican roots. He was held back twice in fifth grade while learning English, but took the momentary set back in stride. “If that hadn’t happened, I would not be where I am today,” says Facey, who opted to attend Hartford’s Classical Magnet school. The challenging college-prep curriculum focuses on the classics and liberal arts in the middle grades and high school — and includes an award-winning theater program.

Jason Facey, '14, hit the road with Gwen Stefani's national tour and has worked with Alicia Keys, WizKid, Major Lazer, and Pharell.
Jason Facey, ’14, hit the road with Gwen Stefani’s national tour (above) and has worked with Alicia Keys, WizKid, Major Lazer, and Pharell. That’s Facey with country star Blake Shelton at the far right. Photos: Anya Chibis and supplied by Facey

At Classical Magnet, Facey caught the attention of then eighth grade teacher Marydell Merrill, M.S. ’08, who encouraged him to try out for the school production of “A Raisin in the Sun.” “I tried out because of her, but only for the smallest role —  about five lines,” says Facey, who has a speech impediment — a stutter. He got the role and Merrill also named him the understudy for the lead. When said lead was later kicked out of the production, Facey rose to the occasion. “On the day of the show, I figured it out. I don’t stutter at all when I act,” he says.

Soon after he landed the first of numerous roles in Hartford Stage’s summer productions of Breakdancing Shakespeare, which combine the Bard of Avon’s works with breakdancing and hip-hop.

Facey applied to Southern at the suggestion of his high school soccer coach, whose brother had attended the university. At Southern, he joined the Crescent Players and continued acting, his first role playing Cassius in “Othello.”

Still something was lacking. “I was used to dancing every day, whether at a party or for Hartford Stage. I didn’t know dancing was a career choice, but I knew I missed it,” he says. In 2009, he teamed up with three other Southern students —Isaiah Lyte, ’11, Jesse Kroll, ’14, and Muonia Wiley —  to start the university’s Symphonic Pulse Dance Company (SPDC). The group, which blends different genres of dance including hip-hop and street-style, is still going strong today.

Facey’s internship with the Hallmark Channel was another college highpoint. “It showed me a whole new world. I learned what goes into making a movie — and I learned that acting is what I want to do,” he says.

He stayed in Los Angeles when the internship ended, and was working at a city call center when he had an epiphany. “I remember thinking, ‘What am I doing here. I have a college degree and I have talent.’” He drew up a list of goals: Get acting and dance agents; work as a motivational speaker; and build the ‘So Facey’ brand, playing off his surname.

“I see Facey as standing for ‘Faithfully Accomplishing Challenges Every Year,’” he explains.

He also kept dancing, letting off steam at Federal Bar, a North Hollywood club that holds throw-back Thursday dance nights. Facey doesn’t drink or smoke. He does, however, “dance like crazy,” and at the urging of a club friend decided to try out for a video. Then fate stepped in. “The choreographer at the audition was Fatima. The. Legendary. Fatima. She has worked with everyone,” says Facey of the famed artist who has collaborated with Jennifer Lopez, Gwen Stefani, Britney Spears, the Black Eyed Peas, Usher, Prince, Rihanna, Kendrick Lamar, Mary J. Blige, and others.

Fatima, named one of Entertainment Weekly’s “100 Most Creative People in Entertainment,” saw something in Facey, and gave him and the two friends he auditioned with roles in Pharrell Williams’ ”Freedom” video. It was Facey’s big break. He was signed to a major agency; performed at the BET [Black Entertainment Television] Awards and the Video Music Awards; and booked a commercial for Comcast Xfinity.

Jason Facey, '14, dancing on the street in LA

Then Gwen Stefani entered the picture. Facey was signed as a lead dancer in her “Misery” video, and went on to tour nationally with the star, traveling across the U.S. and Canada from July through November 2016. He continues to perform with her as needed and has nothing but praise for his experience on the road with Stefani: “She’s an artist in the truest sense — awesome and adorable. She’s very talented but also very down to earth. She has spent years working incredibly hard to be standing in the light she’s in today,” he says.

Facey’s own light is shining brightly. In addition to dancing, he hopes to break into acting. “I’ve used skills gained at Southern in video production to promote myself,” he says of a series of short comic skits he’s produced. “I’ve had about 12 go over a million views,” he says of the videos, many of which play on his Jamaican roots and dance talents. [Be warned, some are racy and include explicit language.]

He’s also moved on to motivational speaking, incorporating dance in his presentations. “I love the idea of being able to inspire somebody the way that I was inspired . . . to do what Ms. Merrill did for me,” he says of his former theater teacher.

Facey has reached another milestone, appearing in a national advertisement for Old Navy. In the spot, a traffic light is the site of an impromptu dance party. Facey kicks off the action, launching himself off the front of a car in to the street.

Meanwhile, he continues to dance. In addition to teaching classes, he is studying dance — something the self-taught performer hadn’t done before coming to LA. And while nothing thrills like booking a performance with the likes of Alicia Keys, WizKid, and Major Lazer, he says he’ll always dance for the joy of it. “I still love it,” he says of hitting the club. “It is the only thing I can control 100 percent . . . where no one can tell me what to do. I was always a freestyler.”

Cover graphic for Southern Alumni Magazine, Fall 2017 issue